Wednesday, April 20, 2011

MTI - Constant Improvement

I'm not sure if anyone read my post a while back about my newest Broadway Blogspot article, "Constant Improvement."  Well, it seems that it's also been posted on Music Theatre International (MTI) Showspace.  I think that's pretty cool!

MTI is a theatre licensing company that handles the rights of hundreds (probably more) musicals.  MTI Showspace is the company's own social media network that's "where theatre people click."  Anyway, they added my article to their blog a while back and I just found out about it.

If you haven't had a chance to read it, check it out here.  Let me know what you think and if I made any sense.

Until next time...

Monday, April 11, 2011

The Book of Mormon




I don't usually "jump the gun" on buying tickets to see Broadway shows.  They're so expensive these days and you can almost always find them discounted once it gets closer to opening night.  But I just had a feeling about The Book of Mormon and thought that if I waited too long, I might not get to see it for a while.  Two months ago, all the press was still on the disaster that has turned out to be Spider-Man but this musical from Trey Parker and Matt Stone (the creators of South Park) and Robert Lopez (Avenue Q)  was quietly building its own little buzz and I decided then I wanted to see this on my birthday.  It was worth EVERY penny of the full price!

The sound of a doorbell is the first thing you'll hear when you go to see BOM.  You'll see a handsome, smiling face wanting to tell you about a third part to the Bible... and then it's all downhill from there!  The story starts with the elders each being paired off and receiving the assignments for their missions.  Elder Price (Andrew Rannells) is the pretty, overachiever who has been praying for Heavenly Father to pair him with a worthy elder and send them to that most wonderful place on earth... Orlando!  Elder Cunningham (Josh Gad) is the schlubby, chubby underachiever who just wants a new best friend.  Needless to say, the two are paired together and sent to, not O-Town, but Uganda to help spread the word to the African Villagers.

Of course when they get there, the village is not what they expect.  They meet up with the other elders, led by Elder McKinley (Rory O'Malley), who fills them in on the village and what's been going on.  Elder Price sets out to convert everyone in the hapless village but, soon learns that they have their own way of dealing with their issues.

I have to say, this is, quite possibly, the funniest thing I've ever seen on stage!  The writers have taken controversial subject matter and created a friggin' hilariously wrong show that I spent two and a half hours laughing out loud at.  Part of what makes it so funny is the extreme sincerity with which it has been written.  Also, that sincerity transfers to the stage and there's no "wink wink" moment where they're  like, "Aren't we funny?"  

Director Casey Nicholaw has staged a show that zips along at a rapid pace that had me thinking, "Really?  It's already over? "  But the it's great, leaves you wanting more and you don't miss a single joke! And believe me, there are a TON of them.  

The book and score from Parker, Stone and Lopez is full of songs that you may be surprised at yourself for wanting to sing(no matter how wrong) long after the show is over.  And it's full of jokes that make sure to offend everyone but they're too funny for you to care.  Well ok, the two people behind us who left at intermission cared but, that's their problem for not knowing what they were getting into.

Andrew Rannells and Josh Gad are a perfect odd couple pair.  They play off of each other hilariously and are great in their quest to bring the story of Joseph Smith to the people of the village. As a team and apart, the two find more to their characters than just the superficial differences to make you want them both to succeed on this mission.

As Nabulungi, the young lady in the village who tries to help the boys with their teaching, Nikki M. James is a sweet girl with a big voice dreaming of something better for her life and that of her fellow villagers.  She truly believes that the boys are offering a better way of life to her and her people and does her best to help convince the others.

Rory O'Malley is great as Elder McKinley!  When the boys first arrive, he tells them how to deal with their feelings by teaching them to "Turn It Off."  It turns into one of many show stopping moments in the show.

Overall I'd have to say, if your easily offended, don't go see the show.  You'll just be wasting your money getting pissed off and you won't get a refund.  But if you stick it out, you'll realize the show isn't really about offending people at all.  There really is a heart at the center of BOM and if you allow yourself to notice it, you'll be pleasantly surprised.  And you might pee your pants laughing, in the process! I'm not kidding when I say it might be the funniest musical ever!  If you've got the money, I highly recommend it but don't be shocked if you can't get tickets.  The performance we were at was packed.  And from what I understand, they've all been like that lately.

I'd love to see it win some major Tonys in June!  But, that remains to be seen.  If I could, I'd certainly vote for it.

Until next time...



Tuesday, April 5, 2011

The Underrated - Marin Mazzie

So for this Underrated post, I decided to write about one of my favorite stage actresses... 

Marin Mazzie


She first came onto the Broadway scene as a replacement in the musical, Big River.  But, it was her role as Clara in Stephen Sondheim's Passion that put her on the Broadway map and earned her her first Tony nomination for Best Featured Actress:



If you watch the video, you'll notice two things right away.  First the fact that she's practically naked throughout the scene but, more importantly the second she opens her mouth and starts to sing, you don't notice anything else but that amazing voice!  She was definitely set to become a Broadway star.

A few years later in 1998, she received her second Tony nomination as Mother in the epic musical Ragtime.  In a huge cast of characters (which included Brian Stoke Mitchell and Audra McDonald) her Mother stood out as a woman whose "proper" life is turned upside down when she discovers a "small negro child" buried in her backyard.  Towards the end of the show, she sings "Back to Before" which, for me, is one of THE best songs in a show full of stand out numbers!

After Ragtime, she went on to star in the revival of Kiss Me, Kate! as actress Lilli Vanessi (again with her Ragtime co-star Brian Stokes Mitchell) and earned her 3rd Tony nomination, this time as Best Lead Actress.

I had the chance to see Kiss Me, Kate after it had been nominated for 12 Tonys and she was hilarious as Lilli Vanessi  and her show within a show character, Katherine.  I really thought she was going to win that year but, the award went to Heather Headley for Aida instead.

A few years after Kate, Ms. Mazzie appeared in a special called My Favorite Broadway: The Leading Ladies in which she participated in an Andrew Lloyd Webber medley with Audra McDonald and Judy Kuhn.  Watch the video and try not to be blown away by the three of them.  It's about 7 minutes but, I promise, it's worth it.



After having starring roles in Spamalot and the short-lived Enron, she took on a role that many weren't sure she would be able to manage.  That of Diana, the bipolar wife and mother in the Pulitzer Prize and Tony winning musical, Next to Normal.  Many people were unsure if she'd be able to successfully follow in the footsteps of the role's originator, Alice Ripley, who won the Tony for Best Actress.  I'm a big Marin fan but even I had my doubts.  Well, she shamed all of us naysayers when she proceeded to take a character so clearly etched in our minds and turn it into her own.




The clip above is from Broadway on Broadway and not the show itself but, it's a perfect example of a song that I didn't quite care for until I saw Marin perform it in the show.  She brought a subtlety to the character that didn't overshadow the rest of the cast and you could see every emotion across her face.  She was brilliant!  If anyone ever deserved a Tony for replacing someone in a Broadway show, it's Marin for this role.  No one thought that you could improve on Alice's brilliant performance and, yet, Marin was just as brilliant and, in my opinion, even better.

If you don't know who she is, hopefully I've just given you reason to go to YouTube or iTunes to search her and give a listen.  I'm not sure why she's not a bigger star than she is but, she truly deserves to be.

Until next time...